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20:44-- Host_6852: "Satisfaction" is a song by Italian DJ Benny Benassi. It was released in Italy in June 2002 as the lead single from his album Hypnotica. Using MacinTalk, the song's vocals consist of two speech synthesizers, one male and one female, repeatedly saying "Push me and then just touch me till I can get my satisfaction". The track was Benassi's debut single and most successful song, peaking at number two in the United Kingdom and earning a gold certification in Australia, Belgium, France, and the United States. As of August 2014, it was the 54th best-selling single of the 21st century in France, with 382,000 units sold.[2] The first version of the music video features the three men and the woman on the cover of Hypnotica. It consists of one three-second take of the four people turning to face the camera and smile, played in slow-motion to match the length of the song. Overlaid are various animations including close-up pictures of the lips of a man and a woman singing along to the song. This music video was barely played on music channels, although in some countries, it replaced the "construction" version. The second version of the music video features women in skimpy construction outfits. The video plays almost as a musical advertisement for a variety of power tools. All are used in a sexual manner. This version was mainly relegated to nighttime hours. It stars British lad mag models Jerri Byrne, Thekla Roth, Lena Stokes and Natasha Mealey, and American Playboy Playmate Suzanne Stokes.[6] In late 2017, cadets at Russia's Ulyanovsk Institute of Civil Aviation marked the end of their term by making a parody of the video that drew on a similar parody four years earlier by British soldiers.[10] Wearing just their uniform caps and ties, belts worn around their shoulders, underwear (with the crotches stuffed) and black boots, the cadets twerked, gyrated suggestively, performed maintenance tasks and cleanup in a fashion similar to the video as the cameraman moved from one to the other in their dormitory. The video, which soon went viral, had strong homoerotic elements and suggestions of BDSM culture.[10] Officials at the institute, described as the oldest and most prestigious pilot training school in Russia, were furious, particularly since the cadets had used school property and worn their uniform caps. Sergey Krasov, the institute's director, said: "If they had joked like that at home, nobody would have batted an eyelid."[11] Shortly after the video became a subject of national discussion,[12] the Federal Air Transport Agency convened a commission to investigate the video and identify the cadets, believed to be in their first year at the institute, who had made it. "Frivolous dances in underwear with the uniform cap of the Institute covering the face on the grounds of the aviation university are unacceptable" the agency said. Any cadets it found to be involved could face expulsion.[13] "Satisfaction" is credited for playing a pivotal role in shaping the electronic music scene and solidifying Benny Benassi's status as a leading figure in the genre. The song's success opened doors for both Benassi and the genre as a whole, bringing electronic music further into the mainstream and gaining recognition from a broader audience.[14] "Satisfaction" is also considered to be the forerunner of electro house that brought the genre into the mainstream.[3] If there is a dispute about the amount owed for a judgment, records proving who has paid for what and how much will be very important. The history of a judgment is impossible to recreate from memory. That's why it is important to keep contemporaneous records of transactions. The court will have a copy of the judgment, and the parties should keep their copies too. The parties should also keep records of all other transactions related to the judgment. The parties should keep the receipt and/or a copy of the check when the creditor pays a cost that can be recovered from the debtor-such as attorney fees, if authorized, or the fee to apply for a writ of garnishment or a writ of execution, or the fee to serve the writ, or the fee paid to a garnishee. The parties should also keep the receipt and/or a copy of the check when the debtor or the debtor's insurance provider pays an amount toward the judgment. Similarly, the parties should keep the receipt and/or a copy of the check when a garnishee withholds wages or other money from the debtor, or when the creditor receives the proceeds of a sheriff's sale, or when the debtor forfeits bail to the creditor. When moving to renew a judgment, the creditor will have to prove the amount due, including the amount of the judgment, the amount of post-judgment interest, the collection costs, attorney fees, if they are authorized, and the amount that the debtor has paid. When moving to satisfy a judgment, the debtor will have to prove these things. And each party with have a chance to dispute the other party's accounting. Testimony or an affidavit from the creditor or debtor is evidence of the amount due, but contemporaneous written records are more reliable. If the parties have a contract that establishes a post-judgment interest rate, that rate will be applied to the original judgment and any renewal of it. Under Utah Code Section 15-1-4, other civil judgments bear interest at two percent more than the federal interest rate for the year in which the judgment was entered, and they keep that rate for the life of the judgment, even if the federal rate changes in the meantime. An order renewing the judgment is a new judgment, and the post-judgment interest on the new judgment will be determined by the year in which the new judgment is effective, unless there is a contract establishing a different amount. For more information on the post-judgment interest rate for a year since 1993, see our webpage on Post Judgment Interest Rates. "Satisfaction of a judgment," which is governed by URCP 58B, means that the debtor has paid the entire amount of the judgment and all accumulated fees, costs and interest, or that the creditor has decided not to pursue further collection efforts. Filing a partial satisfaction with the court is permitted, but it is seldom done. Partial satisfaction means that part, but not all, of the judgment has been paid. Satisfaction of a judgment means that the judgment is no longer a lien on the debtor's real property. The courts cannot control the actions of third parties, but usually, the fact of satisfaction is recorded by the major credit reporting agencies and included in the debtor's credit history. If the debtor has paid the judgment and all accumulated fees, costs and interest, the creditor is required to file an acknowledgment of satisfaction in the court that entered the original judgment and serve a copy on the debtor. This tells the court that the case is finished. If the creditor files an acknowledgment, the court will record it without further proceedings. If the original judgment creditor has sold or assigned the judgment to a third party, that third party steps into the shoes of the original judgment creditor for collection purposes. It is that third party who is required to file the acknowledgement. If the creditor does not file an acknowledgement of satisfaction, the debtor can file a motion for an order declaring that the judgment is satisfied. The debtor must file the motion in the court that entered the original judgment and serve a copy on the creditor. As part of the motion, the debtor must provide proof, such as receipts, statements or canceled checks, that the judgment has been paid. Because the motion is filed by the debtor, the court must give the creditor an opportunity to respond. If the motion is granted, the court will record the satisfaction. The procedures for motions are governed by URCP 7. The forms for filing a motion are in the Forms section below, but for more information about motion procedures, see our webpage on Motions. Many times the judgment creditor will have filed a judgment entered by one court in another court or in another governmental agency, such as the county recorder. Each of those filings is an independent record of the judgment, and the judgment debtor must present proof of the satisfaction to the other courts or agencies. The debtor may need to provide to those other courts and agencies a certificate from the original court that the judgment has been satisfied. A certificate can be issued only after the satisfaction, whether by acknowledgement or motion, has been recorded in the original court. You are continuing to another website that Utah Courts may not own or operate. Its owner is solely responsible for the website's content, offerings and level of security, so please refer to the website's posted privacy policy and terms of use. The site is secure. The «link» ensures that you are connecting to the official website and that any information you provide is encrypted and transmitted securely. Methods: Between October 2012 and March 2013, the American Society of Clinical Oncology conducted a survey of US oncologists evaluating burnout and career satisfaction. The survey sample included equal numbers of men and women and represented all career stages. Conclusion: Overall career satisfaction is high among US oncologists, albeit lower for those in PP relative to AP. Burnout rates among oncologists seem similar to those described in recent studies of US physicians in general. Those oncologists who devote the greatest amount of their professional time to patient care seem to be at greatest risk for burnout. Background: Family satisfaction with end-of-life care in the ICU has not previously been systematically reviewed. Our objective was to perform a review, synthesizing published data identifying factors associated with family satisfaction with end-of-life care in critically ill adult populations. «link» cc7c31b456 goupans
20:40-- Host_5893: Human is the fifth studio album by American singer Brandy. It was released by Epic Records, Knockout Entertainment and Koch Records on December 5, 2008. The album marked her debut Epic Records release, following her split with Atlantic Records in 2005, and her reunion with longtime collaborator and mentor Rodney "Darkchild" Jerkins, who executively produced and wrote most of the album with his songwriting collective. In June 2004, Brandy released her fourth studio album Afrodisiac, amidst the well-publicized termination of her short-lived business relationship with record executive and entertainment manager Benny Medina.[3] Brandy ended her contract with his Los Angeles-based Handprint Entertainment after less than a year of representation following controversies surrounding Medina's handling of the lead single "Talk About Our Love", and failed negotiations of a purported co-headlining tour with fellow R&B singer Usher.[3] Despite the negative publicity, Afrodisiac emerged as Brandy's most critically acclaimed album by then, but became a moderate seller on most music markets.[4] The album debuted at number three on the Billboard 200 albums chart but while it went on to sell more than 416,000 copies in the United States,[5] it generally failed to chart or sell noticeably elsewhere.[6] Kanye West-produced "Talk About Our Love" reached number six on the UK Singles Chart but later singles such as "Afrodisiac" and "Who Is She 2 U" failed to score successfully on the popular music charts and promotion for the album soon ended.[7] At the end of 2004, after eleven years with the company, Brandy asked for and received an unconditional release from her original label Atlantic Records.[8] By the time her contract expired, several of her longtime patrons such as music producer Darryl Williams and industry executive Sylvia Rhone had left the company and Brandy felt mismanaged by her new team of which she found was "looking more towards the hip-hop artists" on the label and "didn't know what to do with [her]."[7] Completing her contract with Atlantic Records, a compilation album compiling her first four studio albums with the company, entitled The Best of Brandy, was released in March 2005.[6] Thereupon, Brandy reportedly started shopping for a new record deal under Knockout Entertainment, her brother's Ray J's vanity label, which would co-venture her subsequent releases, including her fifth album, which she started recording independently.[9] Brandy originally began recording her fifth studio album in 2005.[10] Breaking away from her usual formula which saw her setting up projects with former main producers such as Keith Crouch, Rodney "Darkchild" Jerkins and Timbaland, she entered the studio with several songwriters and producers to record new music, including Louis Winding and Frederik Tao from Danish production team Maximum Risk.[10] The duo produced several songs for Brandy, including both "Honey" and "Sweet Nothings," all of which were penned by frequent collaborator Kenisha Pratt.[10] Over the following months, Brandy continued recording contract-free with a vast of producers such as Rockwilder and production duo Tim & Bob who finished several demos with her.[11][12] Her new management also arranged further recording sessions with fellow client Bryan Michael Cox and his production partners Adonis Shropshire, Eric Hudson and WyldCard at the Track Record Studios in North Hollywood.[13] Supposed to produce her whole album at the time,[13] tentatively titled "Sweet Nothings", they worked on a number of ballads and midtempo songs reminiscent of their other productions, including a song called "Make Me Cry."[14] In June 2006, Cox announced that he would serve as the album's executive producer,[1] but direction changes resulting from additional sessions left his songs unused.[14] In December 2006, Brandy was involved in a fatal automobile accident on Los Angeles' San Diego (405) Freeway.[15] The accident claimed the life of the 38-year-old driver of a Toyota that was struck by Brandy's Range Rover.[15] Brandy was neither arrested nor charged with vehicular manslaughter due to insufficient evidence.[15] Nevertheless, multiple lawsuits were filed against her, all of which were ultimately settled out of court by her civil attorney.[16] Posing an extraordinary hardship for Brandy and her family, she stepped down from her role as a judge on the second season of the amateur talent contest America's Got Talent and went into hiatus.[17] Expanding on dealing with the aftermath of the tragedy, Brandy explained, "I just wanted people to know that this wasn't news. It's not something that should be talked about like it's gossip. You don't like me? Fine. But don't use this situation to try to hurt me, because the guilt of being involved is enough. It's something that I'll never truly, truly get over."[18] While the accident put a halt on the album's production, Brandy soon resumed recording which she found to be therapeutic: "I had to face it and find the strength to move forward. Connecting back with music has definitely helped me through everything. Once I got back in the studio, the butterflies went away."[19] With the album being revamped completely,[14] other musicians joined the project, including Midi Mafia, RedOne, Toby Gad, Frank Ocean, Blac Elvis,[20] and Brian Kennedy,[21] the latter of which was consulted to replace Cox as the album's executive producer.[22] Together, they crafted a bunch of new songs, including "Freedom", "One Thing" and "Today" which Brandy later described as sounding "more true to the sound" of the original, now-abandoned "Sweet Nothings" project which she had initially envisioned for her fifth album.[10] However, in early 2008, her A&R manager, Brandon Creed, presented Brandy several demo tracks that were produced by Rodney Jerkins, including "Right Here (Departed)".[23] Her former main producer on previous albums such as Never Say Never (1998) and Full Moon (2002), Jerkins hadn't worked with Brandy since 2002, due to conflicting schedules and a disagreement on her decision to work with Timbaland on Afrodisiac in 2003.[24] Again, the album was reconstructed, with Jerkins taking over executive duties.[1] On her decision to collaborate with Jerkins, Brandy commented: "With Rodney being the person who produced [the first single], I, of course, wanted to go from there because of our history and all the music we have made in the past. It felt like the right thing to do [...] I wanted to see where that chemistry would take us creatively this time round."[25] With Jerkins on board, providing the bulk of Human, the sound of the album shifted drastically, with Brandy and her team abandoning most R&B records in favor of his international pop sounds.[1] Brandy signed a new record deal with Epic Records in April 2008 and intended to finish the album by September of the same year.[26] Additionally, she worked with producers Timbaland,[27] Rico Love,[21] Rob Knox,[28] The Clutch,[29] and songwriters Chasity Nwagbara,[21] Kara DioGuardi,[30] and Greg Curtis on Human,[31] although their songs were ultimately left off the final project.[21] Further studio collaborations with Kerry "Krucial" Brothers, Missy Elliott, Yung Berg, and Tonex, by contrast, failed to materialize due to scheduling conflicts.[32][33][34] Introduced by the words of Brandy's description of a human being on "Human Intro", the album opens with Jerkins-crafted "The Definition", one of the few uptempo recordings on the album.[35] Written by Atlanta-based songwriter Crystal Johnson, the song depicts Brandy rhapsodizing about love.[35] It received generally mixed reviews, with The Boston Globe emphasizing it the most essential track on Human.[35] "Warm It Up (With Love)", another Darkchild production, was created around a piano sample and released to strong positive reactions.[36] Highlighted by AllMusic and Slant Magazine,[36] Newsday writer Glenn Gamboa noted it as "guiding principle" on the album.[37] Lead single "Right Here (Departed)" was not recorded until late into the production of Human and the first song Brandy recorded with Jerkins following their musical reunification in early June 2008.[23] Written by The Writing Camp and recorded with therapeutical background, the track chronicles a woman's talks about mutual support with loved ones.[38][27] Fifth track "Piano Man" was recorded as an ode to the kind of creative relationship cultivated by a vocalist and their producer or DJ.[38][39] "Long Distance", a ballad about the difficulties of a long-distance relationship, was released to positive reactions by critics, with The New York Times calling it an "hymnlike single that distantly echoes Janet Jackson's "Again."[40] Eighth track "Camouflage", one out of two songs on the album that were written by songwriter Claude Kelly, garnered strong reviews in general, with Newsday declaring it a "worthy cousin to Beyonc's "Irreplaceable" that [is] more about esteem-raising and self-improvement than a search for a sassy put-down."[37] "Torn Down", a joint production by Midi Mafia and Dapo Torimiro, was one of the few prominent Human features on the set list of Brandy's Human World Tour (2009). Incorporating elements of country music, critics noted it a "resolute, crisp mix of static synths, acoustic guitar, and hand claps."[35] Brandy wrote the album's title track with help from producer Toby Gad and Canadian singer Esthero. A "silky R&B anthem" as described by Newsday,[37] the ballad deals with forgiveness.[38] "Shattered Heart" is a downbeat track, that incorporates elements of Middle Eastern music and changes its tempo after three minutes. It has been described as the only "Timbo-esque" record on Human.[39] The album's twelfth track, a piano-driven ballad entitled "True", was contributed by RedOne and Claude Kelly and initially written for Michael Jackson.[41] The song was rearranged and partially rewritten to fit Brandy's persona.[41] It was released to positive reviews by critics, who noted it one of the stronger tracks on Human.[35] "A Capella (Something's Missing)", produced by Soundz, is a near-a cappella song on which Brandy provides "a polyphonic cyberchorus" with multiple tracks of her own voice.[42] Humming the bassline and providing the rhythm, the instrumentation on the track consists of a sole electric guitar.[40] Hand-clap-laden uptempo recording "1st & Love", the album's fourteenth track, depicts a woman's euphoria with a new-found love at first sight and was discussed as the third single at times.[25] Final track "Fall," another piano ballad, was co-written by labelmate Natasha Bedingfield. As reported, Brandy and Bedingfield were forced to move their first joint recording session from Atlanta to Los Angeles as singer Chris Brown and his entourage crashed into the studio, where they "blasted Brown's songs and horsed around."[43] «link» cc7c31b456 keygess
20:40-- Host_9561: An APK teardown helps predict features that may arrive on a service in the future based on work-in-progress code. However, it is possible that such predicted features may not make it to a public release. Based on the strings above, it appears Pointer Mode will use gesture controls like wrist and finger movements. It sounds somewhat reminiscent of the gesture controls used for the Vision Pro and Apple Watch. For example, you would shake your hand to activate pointer mode. Pinching would be how you select a channel, making a fist would send you back to the previous channel you were on, and making a fist twice would take you to Home. Pointer Mode would be a little different than the Wiimote-like feature coming to the SmartThings phone app later this year. That feature provides a touchpad in the phone app, allowing you to control a cursor on the TV. It will also allow you to point your smartphone at the TV for cursor control. There would be no touchpad interface for Pointer Mode. BrainWave offers an innovative way to control your music experience using hand gestures, enhancing convenience and usability. By simply waving your hand over your device, you can play, pause, and select tracks without touching the screen or unlocking the device. This app is powered by Ari technology, which allows intuitive gesture controls by utilizing the front-facing camera on your smartphone or tablet. It supports operation from as far as 3 feet away, making it versatile for various environments. Once installed, BrainWave seamlessly integrates with popular music players like Spotify, Pandora, and iHeartRadio, ensuring that you can enjoy your favorite music hassle-free. With BrainWave, listening to music becomes a hands-free experience, particularly beneficial when multitasking or when your device is out of reach. The app works effortlessly in both portrait and landscape orientations and remains functional even when your screen is off, thanks to its intelligent gesture detection. Moreover, BrainWave's background operation enables you to adjust volume and control tracks with simple gestures, providing an enriching audio experience without other physical interactions with your device. Uptodown is a multi-platform app store specialized in Android. Our goal is to provide free and open access to a large catalog of apps without restrictions, while providing a legal distribution platform accessible from any browser, and also through its official native app. Teen Patti Gold by Live Dealers stands as one of the most captivating online casino games available to players in the United Arab Emirates. Combining the traditional Indian card game Teen Patti with immersive live dealer sessions, this online casino game offers dynamic gameplay enriched by intuitive gesture controls. This guide explores how gestures enhance interaction within the Teen Patti Gold APK and boosts player experience in real-time dealer games. Gesture operations in Teen Patti Gold APK are designed to provide players with fast, fluid, and natural access to game functionalities without relying on cumbersome menu navigation. Players in the UAE find these controls especially useful given the fast-paced betting environment. Below are commonly used gestures: It looks like you're using an ad blocker, so you'll have to wait 15 more sec. Hide ads with Premium to skip the wait and help us pay for bandwidth, hosting, and other bills. Or please add this site to your allowlist (AdBlock Plus, uBlock Origin) Jealous of the cool new gesture navigation features on newer phones?With Navigation Gestures, you don't have to buy a new phone or wait for the next Android update to get swipe gesture controls. Navigation Gestures brings swipe gestures to any Android device! Replace the navigation bar buttons and get gesture controls with Navigation Gestures! Gesture Tools - Phone Controller is an innovative application designed to streamline and enhance your smartphone experience through the use of customizable gesture controls. With this app, you can swiftly perform a variety of tasks by simply drawing predefined gestures on your screen. The main feature is a convenient floating button that seamlessly integrates with your device's home screen. By tapping this button, you can access a gesture drawing interface to execute various actions quickly. The app caters to a wide range of functionalities. One of the primary uses includes opening any application installed on the device. Users can assign a unique gesture to each app, allowing for instantaneous access without the need to navigate through menus. This is particularly useful for frequently used apps, optimizing efficiency and saving valuable time. Additional features include communication enhancements such as Quick Call and Quick SMS. With a simple gesture, initiating a phone call or sending a message to any contact in the address book becomes more convenient than ever. Moreover, it extends its utility to managing system tools. Users have the ability to toggle settings like WiFi, Bluetooth, GPS, and mobile data with just a gesture, enhancing control over the device's connectivity and power settings. For functionality, it requires specific permissions to access and manage the list of installed apps, ensuring seamless integration and functionality across different devices, particularly those operating on Android 11 and later. Gesture Tools - Phone Controller stands out by providing a personalized, efficient way to manage your device with just a swipe of your finger. Gesture Suite enhances your mobile experience by allowing you to create custom gestures that individually suit your needs. This Android app offers a comprehensive approach to automation, enabling you to execute tasks and manage device settings effortlessly. Whether it's custom touch gestures that recognize up to 10 fingers or air gestures activated through proximity, Gesture Suite accommodates numerous interaction methods. Enjoy seamless control with voice commands, shake gestures, and a robust task scheduler designed for various triggers, including app changes and device events, saving you time and energy by consolidating multiple actions into a single gesture. Gesture Suite boasts over 70 actions designed to simplify your daily routine, from launching applications and taking photos to managing Wi-Fi settings and system functionalities. The app stands out with its wide range of features, including a screen recorder, file manager, image gallery, and app launcher. It further aids in organizing and securing your digital environment with tools like a launchpad for frequently used apps, screen and app password protectors, a task scheduler, and much more. Unlock the full potential of your Xiaomi earphones with the Xiaomi Earbuds app. Experience seamless updates, ensuring you always have access to the most advanced features. Tailor your listening experience with customizable noise cancellation and intuitive gesture controls. Enhance usability with In-ear detection and easily locate misplaced earbuds. The platform allows users to enhance their audio experience through a suite of customization options compatible with select Xiaomi earphone models. The interface provides direct control over various settings to suit personal preferences and adapt to different environments. FullPre is an advanced Android app designed to enhance your photography experience by leveraging intuitive gesture-based controls. It allows you to seamlessly operate your device's camera with simple hand gestures, offering enhanced functionality and user control. Whether you are switching between front and rear cameras, adjusting zoom levels, or fine-tuning brightness settings, this app provides a smooth, efficient, and customizable interface to meet your photography needs. Its compatibility with devices supporting camera2 API ensures improved access to professional-grade features. FullPre incorporates an array of gesture controls that make capturing photos highly convenient. Actions such as swiping, pinching, or tapping the screen let you adjust settings, pause or restart the camera preview, and apply effects based on real-time requirements. Advanced users can also take advantage of its white balance adjustment, optical zoom functionality, and effect-switching options, making it a versatile tool for both casual and professional photography. This app facilitates efficient organization by saving images automatically in a designated folder within the DCIM directory, ensuring easy access and compatibility. These file management updates streamline photo storage and enhance integration with other tools or devices. Its interface remains user-friendly and clears unnecessary complexity, prioritizing usability and quick functionality. With FullPre, elevate your photography by utilizing gesture-based capabilities and a straightforward, innovative design. This app redefines how you interact with your camera, ensuring greater efficiency and precision in every shot. Navigation Gestures is an app that, without needing a root, lets you hide the navigation bar on your Android and activate navigation gestures. The best thing about it is that you can personalize each and every one of the gestures. When you install Navigation Gestures, you will automatically get a series of simple controls. By tapping the bottom part of the screen you will return to the home screen while tapping and holding will open the assistant. You can also create gesture shortcuts for swiping to the sides, swiping up, rapid double tapping, etc. One important thing to keep in mind about Navigation Gestures is that if at any point you want to uninstall the app, you need to turn it off first. If you don't, then it's possible that some of the app's functions might continue to work. So, remember: turn off first, then uninstall. YouTube has a couple of basic gestures: you can double tap each half of the video to skip forward or back ten seconds, and you can swipe down to minimize the video. But wouldn't it be more useful if there were gestures to control brightness and volume? Well, as with all things Android, where there's a will, there's a way. «link» cc7c31b456 wainkyle
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